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bait_backup2011-07-20 03:12 am
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I can hear you, I've got this tin can with a string through
*There's blood on the sheets again and for once it isn't Barty's fault. Sticky browning-red spreading out from one corner, expanding like an early universe across the vast, empty vacuum of the duvet.
It does that.
The Black family summer home has an impressive amount of bad habits and ghostly blood is only one of many. Creaking and expansive, its hallways are always rearranging themselves and the doors never seem to lead anywhere twice. It's a bumbling sort of incompetence, sickly and well-meaning and just a little bit tricky, like some curmudgeonly old man with a heart of gold. It can’t, however, out-craft a Crouch. Barty’s bedroom is in the pantry tonight - he’s found it - and he indulges his victory with a cocoon. He’s determined to stay, even with the shelf of biscuits half-merged in the headboard, two tin curves burrowing into his scalp. Above him, the ceiling sags like the turkey neck of a hag, low and drooping and battered, a candle filled hoop twisting fitfully from frail beams. He watches it turn. Back and forth, back and forth. The little flames on the candle dance to the consistent rhythm. His eyeballs dance to it too, disobeying heavy lids. Back and forth, back and forth, back and - still. The flames stand straight up to attention, the hoop stopping with a subtle violence.
It’s a slow and almost imperceptible sound. The purposeful friction of bone and skin against shingle. He can hear it on top of him, like twelve half-dead reindeer pulling a sleigh of rattlesnakes. And then, before there are even thoughts, there are pipes - something slipping under his pores and pumping sand and heaviness into his muscles. It braces against his ribs too, crushing his lungs into pulp and pressing his heart up into his oesophagus. There's no time for whys, no pause for atmospheric build. Instead, shapes merely lose form and meaning, wavering somewhere between existence and a parallel dimension where everything is a rounded, indescribable mass. Even the air is a rounded mass, something viscous and Too Big to enter his nostrils. And just like that it releases Barty with a shock, a sudden and electric relief as oxygen forces its way back into his mouth, inflating him with a wheezing gasp and a shudder that energizes all his limbs and pushes him up until he's a 90 degree angle. Until his eyes open and he realizes nothing has changed. The walls are straight and the furniture is intact, the air as stale and dust-filled as ever.
A part of him knows before he looks, synapses having fired and calculated and arrived well before his head can turn toward the window and see the fluttering tail-end of whatever just scuttled over the roof.
There's blood on the sheets again and now it really is Barty's fault. Sticky deep-red dripping from his nose. *
It does that.
The Black family summer home has an impressive amount of bad habits and ghostly blood is only one of many. Creaking and expansive, its hallways are always rearranging themselves and the doors never seem to lead anywhere twice. It's a bumbling sort of incompetence, sickly and well-meaning and just a little bit tricky, like some curmudgeonly old man with a heart of gold. It can’t, however, out-craft a Crouch. Barty’s bedroom is in the pantry tonight - he’s found it - and he indulges his victory with a cocoon. He’s determined to stay, even with the shelf of biscuits half-merged in the headboard, two tin curves burrowing into his scalp. Above him, the ceiling sags like the turkey neck of a hag, low and drooping and battered, a candle filled hoop twisting fitfully from frail beams. He watches it turn. Back and forth, back and forth. The little flames on the candle dance to the consistent rhythm. His eyeballs dance to it too, disobeying heavy lids. Back and forth, back and forth, back and - still. The flames stand straight up to attention, the hoop stopping with a subtle violence.
It’s a slow and almost imperceptible sound. The purposeful friction of bone and skin against shingle. He can hear it on top of him, like twelve half-dead reindeer pulling a sleigh of rattlesnakes. And then, before there are even thoughts, there are pipes - something slipping under his pores and pumping sand and heaviness into his muscles. It braces against his ribs too, crushing his lungs into pulp and pressing his heart up into his oesophagus. There's no time for whys, no pause for atmospheric build. Instead, shapes merely lose form and meaning, wavering somewhere between existence and a parallel dimension where everything is a rounded, indescribable mass. Even the air is a rounded mass, something viscous and Too Big to enter his nostrils. And just like that it releases Barty with a shock, a sudden and electric relief as oxygen forces its way back into his mouth, inflating him with a wheezing gasp and a shudder that energizes all his limbs and pushes him up until he's a 90 degree angle. Until his eyes open and he realizes nothing has changed. The walls are straight and the furniture is intact, the air as stale and dust-filled as ever.
A part of him knows before he looks, synapses having fired and calculated and arrived well before his head can turn toward the window and see the fluttering tail-end of whatever just scuttled over the roof.
There's blood on the sheets again and now it really is Barty's fault. Sticky deep-red dripping from his nose. *
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I'll accept that. Your wells I mean. There aren't enough wells anymore, even though there's so much water - and I don't mean the stony-hole-into-the-earth sort. I'll probably give it back though. You need all the well you can get.
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With one hand still clapped to his tingling ear he watches a heather bush shiver in the breeze, and hopes he doesn't look sick as well as guilty.*
I'm all right.
I didn't know those things were around here... You won't need to worry about them after tonight.
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You know a lot about them for someone who can't even chase them away. Although I guess that makes sense, doesn't it?
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'Know thy enemy'... sort of thing?
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*There's a subtle crack in his voice, but his expression doesn't follow up on it as much as it seems it should. To further the disconnect, he folds arms in what might be a cool ease were it not simply a ploy to make his hands hold still.*
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Quite enough.
Quite enough of what? Winning the war?
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*Slowly unfolding his arms, Regulus sidesteps hesitantly but doesn't really manage to remove himself from between the two very well. The house beckons, and seems very far away.*
I certainly don't want to- live in a country with those sorts of things coming on my property, I should think I speak for you as well.
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I will if I have to.
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He's relieved to be alone with him now, not liking the company of spectral animals any more than that of Dementors, despite the comforting implications of Barty's patronus. A memory that happy is needed right about now, and by the time they reach the door Reg has landed on the uncomfortable thought that he can't find one of his own to match it - a foreboding embarrassment that he waves away as he holds the door.*
...Lightheaded?
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Keeps you on the ground.
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You'd be a lot happier if you weren't so fussy - It was only a spurt.
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*It's somewhat of a cliché, something that seems as though it should be said in jest or as a mocking threat, but Regulus' eyes are much too earnest for either of those to be true. Somehow, he says it with the same sincerity of breaking the news of the death of a loved one, a situation where mocking word choice would just seem cruel.*
Who knows who else can find us here.
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*His voice is still soft but by the look of him Barty's words feel like a slap. He clutches the bloodied handkerchief in twisting fingers, burrowing and wrapping them in it's thin and contaminated material.*
This is not a death-manor, we're not going to die. Why do you have to be so flippant, for goodness' sake, it's horrible. These things aren't anything to make light of.
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Barty had been the one to see thestrals first. Regulus, nervous and unsorted and eleven, hadn't believed him. It's in these moments that Barty thinks maybe he still doesn't.*
Haven't you been listening? Death doesn't have anything to do with gravity. I mean, maybe if you fall from high up, obviously - but on a whole. If you only give it heaviness you'll never be rid of it. It's the middle-man.
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