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bait_backup2011-07-26 06:41 am
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Life's only living rival, a casket built for two
*Moody's house looks deserted from the street, the slats of plastic blinds all boasting a layer of grime and dust between which no light seeps out, and the murmur of voices of the ever-thinning Order are silenced by the most effective of charms. No one, no group of hoodlum kids roaming the streets and no spy sent to discover their plans, could even know anyone was at home that night. Inside, the bulbs of lamps are unscrewed under their shades and even the keyhole at the front door has been taped over – Moody has made his home a place to be forgotten, something airtight and impossible to stake out. The only way in is through his guests, and each of them is a chance he must take in times like these.
A pile of parchment is passed hand to hand around the room, updating everyone on Jones' runes; furtively taken photographs of known Death Eaters walking the streets and seen through shop windows; any (mostly fraudulent) copies of medical, financial, and criminal records that they could as a group get their hands on; and newspapers with notes scribbled in margins. Candles light Moody's face like a particularly grotesque jack-o-lantern from the coffee table, and no one comments as a tear of wax rolls down off the base of it's candlestick and turns one half of Fabian Prewett's photographic face a glossy dark grey as it seeps through the paper to mar even more deathtolls beneath the two most devastating to them.*
A pile of parchment is passed hand to hand around the room, updating everyone on Jones' runes; furtively taken photographs of known Death Eaters walking the streets and seen through shop windows; any (mostly fraudulent) copies of medical, financial, and criminal records that they could as a group get their hands on; and newspapers with notes scribbled in margins. Candles light Moody's face like a particularly grotesque jack-o-lantern from the coffee table, and no one comments as a tear of wax rolls down off the base of it's candlestick and turns one half of Fabian Prewett's photographic face a glossy dark grey as it seeps through the paper to mar even more deathtolls beneath the two most devastating to them.*
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In some ways he is less afraid. He is less afraid when he makes his eggs in the morning and eats them at the small table-for-one in his flat. He is less afraid when he walks the near-deserted streets of Diagon Alley. He is less afraid when he goes to sleep at night, now that he can sleep. He is less afraid to read the Prophet, when he reads the Prophet at all--which isn't often.
But here, among his friends and comrades (or the people who had been his friends and comrades, he is quick to remind himself) he is more afraid than he has ever been. As they all gather to mourn the twins, the ones he killed, Peter knows every last one of them would kill him in a heartbeat if they knew. Alastor Moody would have his head on a platter at this sad little coffee table before anyone would blink.
And that is why he's cheesey-pale, why he arrived early and alone as usual and isn't sitting near anyone, his head in his hands. It looks like grief--looks exactly like the other crushed and defeated Order members filling the room--but of course it's anything but. It's shame, and terror, but it isn't grief--and it isn't regret, either.*
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Moody breaks a silence. He has lost too, lost a pair of minds and bodies ready and prepared to die for the very same things he is. Though paying respects to the dead is a concept he is very familiar with and has experienced many times over the years, he has no use for the heavy pauses that pepper their meeting. There is no time in the middle of a fight to stop and plant flowers.*
Well... Now we know the extent of things. They're more capable of getting in than we thought. Means we all need to have a way out. Who of you lot even has a fire escape route? Let's not give them the satisfaction again.
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That was enough on its own, but now someone's passed along the creased photographs of the McKinnons, and Xeno bows his head over them, not even really cognizant of what he's murmuring.*
The sky has lost a star.
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What's that? If this war has reached the level of the skies we've got a lot more to deal with than we ever supposed.
We need to take action, we can't hide here like this forever. The Ministry's got us standing still at work and locked away at night, while these people manage to bring down two Aurors before dawn hits. There are rats inside and out here, that's clear. We'll have to bring them down during the day if that's when they want us but we do have to stop them.
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He is so convinced of his own conspicuousness that he has to speak. It's barely more than a croak.*
How?
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*Frank breaks in on the heels of Peter's question, voice gravel-sharp with grief and anger and lack of sleep.*
First off, Alastor, use their goddamned names, it wasn't two Aurors, it was Fabian and Gideon. And who says we have to go in the day? That's what the Death Eaters expect, is us to play by the rules, and it's just going t'get more of us killed if we do that. If they're playing dirty, we've got to step up, attack at night, find loopholes like they are. Fuck the rules, the rules aren't helping anyone.
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Is that what Fabian and Gideon would want? Would they want us to play dirty in their name?
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As her head jolts up though, Alice looks around the table for the first time and sees the absolute grief and suddenly she's no longer defensive about her feelings. The pain in their community is palpable, and suddenly there's comfort in that.
For the first time since she told Frank, Alice feels herself crying.*
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Oh, right, okay. You still don't wanna get your hands dirty. Great. But how's that gonna hold up when James is the one who's been ripped to fucking pieces, or your kid? You find them dead and a threat to your goddamn family on the wall, and then you tell me what you think about 'playing dirty'. Then we'll talk about it. Until then you can shut the fuck up.
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She moves to take Frank's hand.*
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Maybe you should, you sure as hell didn't manage to keep a hold on her the other day.
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*Remus speaks up sharply and suddenly from across the room. What happened with Bellatrix has been more than enough of an issue in their home the past few days, and the last thing Sirius needs is someone rubbing salt in that particular wound. He'll be damned if he sits by and lets him get attacked for something he's already punishing himself for far too effectively.*
What happened with Bellatrix happened. It's done. Dragging it out won't bring the Prewetts back, Frank, drop it.
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He looks to his left, and for an instant, the sight of red hair promises support, the other two-thirds of a trio solid since childhood. He feels, for the first time in days, secure. But it's only Arthur, drawn and silent and exhausted-looking, and the twist in Frank's chest when he realizes it feels like walking into the twins' flat all over again.
Grief rising with bile in his throat, he swallows down hard and clenches his jaw, looking to Alice miserable and furious and wanting equally to break Lupin's nose and to go home.*
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You know where she lives same as I do, Frank. You've read the file. We've read the files of everyone we suspect. Go on in to any one of their homes flinging curses, see what good it does. Good fucking luck getting anything to stick. Maybe it'll even work, what with Crouch sitting under your window singing the both of you love songs.
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*He loves him. He does. Madly, and beyond all reason, and with all that he is. But at moments like this, Remus can't help but feel that Sirius is one of the most deeply, stupidly stubborn human beings on the entire planet. The tone he hauls out now isn't one he uses often, but the meaning behind it should be crystal clear to the three others in the room who know the other body Sirius sometimes inhabits. It's the exact tone you use on a dog who's gotten into the garbage, again, and its use now is no accident.*
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Have fun in Azkaban. Send me a postcard.
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Shaking it off, he gives Sirius a pointed 'behave-or-else-because-you-are-out-of-line' look before shifting (most of) his attention back to the rest of the meeting, trying to salvage things.*
Alright. Everyone's exhausted and we all miss Fabian and Gideon. I know. But we've got to focus, this is getting us nowhere.
Personally, I'm inclined to agree with Frank, at least at the outside. The legal channels aren't enough, we can't fight an up-front war against guerilla tactics. But there has to be a medium between waiting for them to attack, and trying to go up against them in their beds. That'll only get more of us killed, Sirius is right, but something has to change.
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It's some sharp instinct that moves him to speak, a lightning-quick awareness of how to direct the focus, the anger, the danger somewhere else. His salvation appears, and she's an easy target, pouty and messy and distracting. He mutters it, his eyes on the floor.*
Don't we have a spy.
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She's grateful to Remus, given what's just been said, and his rationality. She had been about to answer him with the necessary question of "How?", but then Peter interjects, and she stops.*
Peter, you're not helping.
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Sure, like she couldn't see this coming? She's fucking them--
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Leave Rose out of this. She's the only inside eye we've got, now. If you want to take up the job and start fucking Alecto Carrow, you're welcome to it.
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She's already been thinking it, she's been waiting for someone to say it. But actually hearing it lands like a slap in the face, and when her gaze fixes on Pettigrew there's something a little dangerous and a little haunted in it. She doesn't yell - she never yells, one of the tip-offs to an upbringing involving private tutors and old money - but her drawl is heavily vitriolic.*
Maybe you should spent a little more time on your own assignments and a little less time thinking about who I'm fucking, Pettigrew. Try pinning this on me again. Go ahead.
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Sorry.
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This month has been—
*Shit. Awful. Depressing. Shit.*
—rough...for all of us. But we can't let bickering get in the way.
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*But nothing good could come from the way Frank's looking at all of them, how red his eyes are and the tension in his fists that's visible even across the room, or the way everyone seems to be on the verge of turning on one another. And Remus is being diplomatic but terribly, frighteningly vague.*
--how alternate?
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If sneaking up on a few Death Eaters after dark means saving lives, I think I could find a way to sleep at night. I mean, we can find a way to restrain them without resorting to cold blooded murder, can't we? We've got the talent for it, and the numbers for it, as long as we stop waiting for them to attack and start being preemptive.
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*He directs this to Xeno with a subtle half-glance to him, knowing too well his friend's stance on Unforgivables and torture.*
- But if we have to start bringing the fight to them. We've got the numbers to handle this without resorting certain things, yes, but they still outnumber us. If we start going in with targeted, individual attacks we're going to stand a better chance long-term than waiting for large-scale battles where we've got the disadvantage.
As for the curfew, we've got enough Ministry insiders here to skirt around that, I think. If every attack we go in on has at least one Auror or agent or what have you....
*For his own part, Remus knows, he's risking everything every time he breaks curfew, Aurors or not. Even being at this meeting holds higher stakes for him than most of the others; if they get caught, they're all in trouble, yes, but if he's caught out, here or in a fight or so much as jay-walking, they'll execute him without so much as a by-your-leave. He knows it, but it's still a risk he's willing to take.*
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...I can help. They don't talk about anything official around me but I've got access to everything else. Social plans, sleeping arrangements...wards...just tell me what you need.
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*He says it calmly, fairly, but there's a set to his jaw as he looks around the room that says he's willing to back up his stance, and that he'll fight for this if he has to.*
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*Alice hasn't publically expressed her disconnect from the Ministry, it's been a slow embarrassment process that only lately she feels comfortable in talking about.
What she's about to say is a new thought, something that had only come to her recently and she had been saving for the next meeting. It's clear there will be no peace under Crouch, and that's the only reason she's fighting this war.*
We need to go after the Ministry. Undermine it, discredit somehow. We have to expose it.