[identity profile] looneyloopy.livejournal.com posting in [community profile] bait_backup
*Electricity is a funny thing. It can do so much, and yet it's so very easy to disrupt. Such are the woes of the proprietors of Maurice's, an upscale café that tries to look more edgy than fancy, and fails. It can't quite shake the air of snobbery infecting the area, the taint of We-Have-Too-Much-Money. Maybe it's the silk ascots; maybe it's the disproportionate number of Italian shoes. At any rate, no one thinks to notice the young man slipping out of the alley next to the building, in his new wingtips and old waistcoat, his button-down a bit rumpled and his trousers mended here and there. By the time anyone notices the breaker box on the back wall sparking and smoking, he's vanished into the crowds.

He takes the long way 'round back through some side-streets, timing it so that he walks up to Maurice's - again - about five minutes after he's agreed to meet Amrita there. Perfectly late, perfectly nonchalant, as he strolls up to the café, pretending to be unaware of the frustrated owners and the 'closed for maintenance' sign now hanging on the door.*



Date: 2011-09-25 09:57 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*Obligingly, the panel vanishes.*

Date: 2011-09-25 10:05 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*Instead of giving up its contents, the drawer spits a spray of small furniture tacks. They are brass, very small, and very sharp.

A half-second later, Amrita's puzzled voice filters over from the next room.*

--What on earth is a blender?

Date: 2011-09-25 10:31 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
That's awfully ingenious of them--shit-

*One of the scones has started smoking, and she waves at it, fretfully. Ordinarily this would never give her trouble but she's under pressure and where is the damn chocolate--*

Er, one second!

*She's utterly unaware of the titanic man vs. furniture struggle happening not ten feet away. A few more tacks spit almost half-heartedly from the drawer, and there is a shudder that goes the whole length of the thing, but the top of the credenza finally parts and lifts.

In the now-roofless drawer they're visible: a sleek porcelain mask and, beneath it, a dragonskin folio.*

Date: 2011-09-25 11:30 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*It's not a smoking gun. It's not even close. It's an almost completely predictable series of paints and prints of women in various states of undress: women who are fauns and mermaids and sphinxes and not women at all, women lounging on snarling bearskin rugs or pursued by serpents and chained to rocks, women bloody-mouthed and white-eyed, women bound in their own long, long hair. And in the very back of the folio is an acid-green Ministry file, tucked there with a bhang-laced laugh only the day before yesterday by its subject. Who is, at this very moment, giving a laugh of her own as she uncovers the chocolate in the back of the cupboard.*

Found it, aha, all right, plates, hold on--

Date: 2011-09-26 10:48 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
Oh hush--

*She emerges at last, a little breathlessly, with a tray that is certainly overkill and possibly even ridiculous: there's the sliced nectarines and tangellas, and a bit of chocolate laid out in neat little squares, and scones and butter and two small plates. In her high-necked dress and transparent, almost childlike anxiousness to please, she couldn't be more different from the girl in the pictures, wearing the savage tracery of scars on her hips and thighs as if they were silk stockings and laughing cheekily into the camera in a way that couldn't be less meant for Remus.

But of course she has no idea, as she takes a bit of tangella and gestures eagerly for him to do the same. Why should she?*

It's nothing, don't be silly, and I'm the peckish one anyway--

Date: 2011-09-28 01:18 am (UTC)
From: [identity profile] cellarandmoon.livejournal.com
Are you all right?

*Amrita produces her walnut wand from the clever pocket in her dress and wordlessly Summons them a pair of cloth napkins. They arrive at once, neatly and briskly arranging themselves on the glass table.*

You look a bit like a goose walked over your grave.

--ah, there it goes. It's a good thing we came inside, don't you think?

*Outside, it's finally started to rain. The windows on the far wall are practically floor-to-ceiling and make this amply clear.*

Date: 2011-09-28 01:41 am (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*The rain's suddenly very loud. Amrita, too, buys herself time with a sip of her drink, with a nibble of chocolate. This was always going to come up--Remus is one of very few who knows the truth about her, anyway. So the truth is what's needed here. Or as much of it as possible. Eyes lowered, she begins carefully.*

Ah. I don't--I don't do the Registry anymore.

I don't exist anymore, technically. I'm only a foreign bride, now.

Date: 2011-09-28 02:16 am (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*Well that's reading loud and clear. Amrita feels a little flare of irritation, and she speaks composedly, but a little too quickly.*

That's one way of putting it.

I don't know whether you read the Quibbler, but what they print about werewolves is true, every word of it, and if Evan hadn't, do you think I'd even be sitting here--

Date: 2011-09-28 02:31 am (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*And there it is, inevitably: a bitter little pill of guilt. Of course he's jealous. Remus still has to go in every month; Remus is still subject to that kind of danger and degradation, and he's a little shabby and the flat is so nice and he's so earnestly apologetic, now, that she almost groans aloud.*

No, I'm sorry. I didn't mean to jump down your throat, it's only--it's not just a lark, for me. Or a perk. It's-

*She looks up directly into his eyes, then, and for a minute she's as hollow and unhappy as the barmaid he first befriended.*

I, ah, lied before. I didn't lose my wand.

Date: 2011-09-28 03:08 am (UTC)
From: [identity profile] dapperdeath.livejournal.com
*Evan has been busy all day, but his last appointment was surprisingly brief--the shoddy underground wandmaker, instead of being ready for a round of fierce negotiation in which he tried to raise his prices yet again, was actually just dead in his little dingy office. Evan covers his tracks--and the tracks of Rosier & Sons, with a quick glance over the man's correspondence--and makes his way home an hour early.

The door opens silently when he presses his hand to it, and shuts behind him with a quiet click.*

Darling?

Date: 2011-09-28 03:20 am (UTC)
From: [identity profile] cellarandmoon.livejournal.com
*And that's thrown cold water on her little germinating confession before anything else can come of it. At his voice, Amrita jumps, as if someone's dropped a crystal ball on the hardwood floor. But she recovers quickly enough: a genuine smile blooms on her face, and she calls to him.*

Hello Evan, I've got Remus over, Maurice's was closed because of the plugs or something and it's been terrible out today--

Date: 2011-09-28 03:24 am (UTC)
From: [identity profile] dapperdeath.livejournal.com
Oh, dreadful. Well, I'm through for the afternoon, and I'm glad I'm just in before the rain.

*He emerges, looking at their guest perhaps too warmly. It's the perfect opportunity, after all, and he doesn't intend to waste it.*

Hello, Lupin. So sorry to intrude.

Date: 2011-09-28 03:37 pm (UTC)
From: [identity profile] cellarandmoon.livejournal.com
I'm sure you two remember one another, from school--

*She's sitting up very straight, now, and pointing a bright please get along smile at each of them in turn.*

Date: 2011-09-28 03:46 pm (UTC)
From: [identity profile] dapperdeath.livejournal.com
I think I remember being rather hard on you and your friends. I do hope there's no hard feelings now.

*It's innocent enough, but the hidden meaning is clear enough to anyone who lived it: You'd do well to remember how I used to put your friends in their place every chance I got.*

In fact, why don't you come out to dinner with us? We can catch up. We were planning on heading out just after I got home, but I shouldn't want to cut your visit short just on my account.

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