![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
*The wars Barty fought when he was seven, as it happens, were a great deal more exciting than the war he's fighting right now. When he was seven, months and years would pass in the space of a single afternoon. There was never a time for rest or thought - every second was a struggle for survival and every minute was an opportunity to throw rocks at girls. It was a world where the rules were dictated less by politics and more by Barty's passing fancies and perhaps dubious grasp on the concept of battle itself, considering how often the tube slide became the twisted, hardened oesophagus of a man-eating giraffe.
There are no oesophagus' to hack his way out of now, no more monkey bar watchtowers or unseen crawl spaces under the ramps. War is no longer continuous action, it's no longer one solid stretch of movement and yelling and laughter. It's not even a sequence any more. It's broken and complicated, a mess of non-action mixed in with small doses of too much. There's also failure. The times when he's split open, the times when he's not even believed and, worst of all, the times when he has to wait.
Waiting is what he's engaged in now. Sitting in the field, under his cloak and mask and a disillusionment charm. It's a nice house. Stately. There are columns by the doorway, and columns always exude instant class. A house with columns means you've made it, as far as Barty's concerned. He's correct of course, the inhabitants, behind their columns and their fancy tall steps and fancy tall door certainly have made it - right into Voldemort's cross-hairs. The wife is a Ministry official, some tired, lined face in a sea of other tired, lined faces. Barty's likely met her before and it's even more likely that he forgot her directly afterwards. He could handle her himself, he's sure. The only thing stopping him from walking across that field is the promise of a companion in tonight's precious revelries.
Bellatrix is a fascination Barty has yet to get over, much like dark matter or the Voynich Manuscript, she's strange and beautiful and distant, a wholly different shape and texture from the others. She's faithful and for that Barty respects her, is frightened of her, is attracted to her - but mostly he is filled with a desperate need to impress.
He picks at the grass listlessly, waiting for the familiar crack of apparation.*
There are no oesophagus' to hack his way out of now, no more monkey bar watchtowers or unseen crawl spaces under the ramps. War is no longer continuous action, it's no longer one solid stretch of movement and yelling and laughter. It's not even a sequence any more. It's broken and complicated, a mess of non-action mixed in with small doses of too much. There's also failure. The times when he's split open, the times when he's not even believed and, worst of all, the times when he has to wait.
Waiting is what he's engaged in now. Sitting in the field, under his cloak and mask and a disillusionment charm. It's a nice house. Stately. There are columns by the doorway, and columns always exude instant class. A house with columns means you've made it, as far as Barty's concerned. He's correct of course, the inhabitants, behind their columns and their fancy tall steps and fancy tall door certainly have made it - right into Voldemort's cross-hairs. The wife is a Ministry official, some tired, lined face in a sea of other tired, lined faces. Barty's likely met her before and it's even more likely that he forgot her directly afterwards. He could handle her himself, he's sure. The only thing stopping him from walking across that field is the promise of a companion in tonight's precious revelries.
Bellatrix is a fascination Barty has yet to get over, much like dark matter or the Voynich Manuscript, she's strange and beautiful and distant, a wholly different shape and texture from the others. She's faithful and for that Barty respects her, is frightened of her, is attracted to her - but mostly he is filled with a desperate need to impress.
He picks at the grass listlessly, waiting for the familiar crack of apparation.*
no subject
Date: 2011-02-26 02:55 am (UTC)She feels rather differently about Barty. A truly creative soul such as his comes along once in a lifetime. She recalls a spell that he used at the ICW that turned the enemy's bones into gelatin. Flavoured gelatin.
The boy is brilliant, obviously.
With this in mind, she Apparates into the godforsaken field, hoping that Barty had the good sense to pick an entertaining target. She's dressed to kill, as usual, exposing far more skin than most would consider appropriate for physical activity. Her face is hidden behind her mask, but her cleavage is ample, and the tears in her robes expose a great expanse of leg. She looks quite the sight, a sexy woman with the blank, white face of a killing machine. She smiles beneath the mask as she glances about the field.
Barty is disillusioned, no doubt.*
no subject
Date: 2011-02-26 12:00 pm (UTC)His silence is forced, his humbleness barely observed, he itches to tell her everything - to tell her of Snape, to spread the word to perhaps the one person who will believe him, but he doesn't, not yet - she's a dangerous person to annoy. He nods to her, and then to her exposed assets, welcoming them both.*
no subject
Date: 2011-02-26 03:07 pm (UTC)How many inside?
*This is perhaps the least important question Bellatrix could have asked, but the other things she has to say to Barty, the questions about Regulus, are best left for after they've had a bit of fun.
And fun they will have, she's certain. Barty's posture reeks of eagerness, a true honest love for murder that they share and that puts her completely at ease.*
no subject
Date: 2011-02-28 02:21 am (UTC)no subject
Date: 2011-02-28 02:43 am (UTC)no subject
Date: 2011-02-28 06:33 am (UTC)I've done doors before, a chimney once, apparation most of the time. But what I really think is missing are windows. Today should be a day for windows. - I even know which is hers. I've been watching.
no subject
Date: 2011-03-01 12:19 am (UTC)Today is absolutely a day for windows. Shall we blast the panes to pieces, or unlock one and creep through?
no subject
Date: 2011-03-01 10:45 am (UTC)Or perhaps we'll turn it soft like mashed potatoes and step through it as though it's not even there.
no subject
Date: 2011-03-01 08:44 pm (UTC)*She gestures to the house, which, though currently still and silent beneath the stars, is on the brink of chaos without even knowing it.*
You know the window; you lead the way!
no subject
Date: 2011-03-02 12:02 pm (UTC)She can't shake the feeling of being watched. She'd peeked out before, of course, feeling paranoid, feeling silly - and fittingly seen nothing more exciting than the empty expanse of field. That niggling sense, her churning intuition, however, hasn't been sated. The brush plops onto her pillow and she slips to her feet - just once more. Pushing up a shaft with her finger, she peers out, seeing nothing but a faceless palette of white.*
no subject
Date: 2011-03-03 02:41 am (UTC)She doesn't get a good look at the girl when the shaft moves, but she doesn't particularly care. Her appearance doesn't matter a wit, but Bellatrix drinks in the frightened squeak she gives as she stumbles away from the window.*
no subject
Date: 2011-03-03 08:43 am (UTC)Barty stands beside Bella, mask inches from the window pane - and masks, indeed, are the only thing visible. Featureless, disembodied heads, they bob about in the darkness, wavering for a moment as the glass ripples in an unnatural and vaguely gelatinous manner. Barty walks through it easily, leaning in head-first and worrying about his other limbs as they come.*
no subject
Date: 2011-03-04 03:28 am (UTC)Levicorpus.
*The girl squeaks again as she flies into the air, suspended before the intruders in a heartbeat. Her nightgown, which is frayed around the hem and collar, starts to slip down, and her flailing arms are incapable of holding it in place.*
no subject
Date: 2011-03-07 11:31 am (UTC)Starting with the fraying ends, the dress begins to unwind, unravel and expand, until each loose end is only held aloft by magic. It's then that the net of threads undulates back towards the girl's wiggling form, nuzzling through the pores of her skin, weaving and stitching itself into her body and through her flesh.*
no subject
Date: 2011-03-08 12:18 am (UTC)Pig-like. The girl's mouth and nose are, abruptly, transfigured into a pig's snout, and the surprised gasp that she makes comes out a snort, and she snorts again, louder, when Bellatrix mumbles a spell.
The threads — just the threads — light on fire, sizzling and crackling violently beneath her skin as the girl squeals like a dying pig.*
Smells like bacon.